Tuesday, September 18, 2007

Portfolio

Cure By The Shore Open 2002 (QVC)
These Cure by the Shore opens were all shot in Ocean City, NJ with the exception of 1999, which was shot at the New Hope Theater in New Hope, PA. These opens were shot for less then $2,000 through the generous donations from Kodak, Shooters Post & Transfer, NFL Films, and Colorlab of Rockville, MD.

The 2002 open’s look was described to me in one word, 'blue'. Producers wanted to match a specific blue in the Cure by the Shore logo and this was achieved while still holding the warmth and hope that the charity truly deserved. This open was directed and conceived by W.Scott Prestwood and transferred at Shooters Post & Transfer by colorist Bob Lovejoy.



Cure By The Shore Open 2001 (QVC)
The 2001 open’s look was that of a sunrise and the hope that a new day brings. Directed by Michele Loschiavo and transferred at NFL Films by colorist Chris Pepperman, this open was a race against the sun and swarms of gnats but a great experience and a beautiful open.

Along with the show, this footage was used for the full length documentary, 'Cure by the Shore: A Touch of Hope'.



Cure By The Shore Open 1999 (QVC)
The 1999 open is still one of my favorites of this series. Director W.Scott Prestwood approached me to shoot this open around the same time that we had begun to discuss his documentary, 'The Final Touch'. This open will always symbolize a new start for me personally and professionally.

This was shot in super 16mm and transferred at Shooters Post & Transfer by colorist Bob Lovejoy.



Las Vegas Motorspeedway 2002 (QVC)
Filmed for QVC’s NASCAR show, 'For Race Fans Only' this commercial campaign was shot on 16mm, over three days, at Las Vegas Motorspeedway.



Tae Bo Commercial 2002 (QVC)
My vision for this commercial was merely, eye of the tiger and when I pitched it to the producer, he loved it. I quickly secured the talents of director and longtime collaborator Michele Loschiavo and film rolled on Super Bowl Sunday of 2002. Shot on 16mm, within five hours, this is one of my all time favorite spots.



The Final Touch 2000 (Prestwood Films)
Filmed over two years on location in Monte Vista, Creede, and Denver, Colorado, documentary producer/director W.Scott Prestwood followed funeral director Rusty Strohmeyer in his pursuit of life in the face of death. Collectively Scott and I lived with Rusty and his family for about two months and I could never put in words how much I enjoyed my time with this incredible family.

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